Clifford Brown , aka "Brownie," (October 30, 1930 – June 26, 1956), was an influential and highly rated American jazz trumpeter. He died aged 25, leaving behind only four years' worth of recordings. Nonetheless, he had a considerable influence on later jazz trumpet players, including Donald Byrd, Lee Morgan, Booker Little, Freddie Hubbard, Woody Shaw, Valery Ponomarev, Wynton Marsalis, and many others. He was also a composer of note: two of his compositions, "Joy Spring" and "Daahoud", have become jazz standards.
Brown was born into a musical family in a poor neighborhood of Wilmington, Delaware. His father organized his four youngest sons, including Brown, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. By age thirteen, his father bought him his own trumpet and provided him with private lessons. As a junior in high school, he received lessons from Boysie Lowrey and played in "a jazz group that Lowery organized." He even began making trips to Philadelphia. Brown took pride in his neighborhood and earned a good education from Howard High.
Brown briefly attended Delaware State University as a math major, before he switched to Maryland State College which was a more prosperous musical environment. As Nick Catalano points out, Brown's trips to Philadelphia grew in frequency after he graduated highschool and entered Delaware State University; it could be said that, although his dorm was in Dover, his classroom was in Philadelphia. Brown played in the fourteen-piece, jazz-oriented, Maryland State Band. In June of 1950, he was seriously injured in a car accident after a successful gig. During his year-long hospitalization, Dizzy Gillespie visited the younger trumpeter and pushed him to pursue his musical career. Brown's injuries limited him to the piano for months; he never fully recovered and would routinely dislocate his shoulder for the rest of his life.Brown moved into playing music professionally, where he quickly became one of the most highly regarded trumpeters in jazz.
He was influenced and encouraged by Fats Navarro, sharing Navarro's virtuosic technique and brilliance of invention. His sound was warm and round, and notably consistent across the full range of the instrument. He could articulate every note, even at very fast tempos which seemed to present no difficulty to him; this served to enhance the impression of his speed of execution. His sense of harmony was highly developed, enabling him to deliver bold statements through complex harmonic progressions (chord changes), and embodying the linear, "algebraic" terms of bebop harmony. In addition to his up-tempo prowess, he could express himself deeply in a ballad performance.
Source: Wikipedia
No comments:
Post a Comment